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Title | Gimpel Fils | |
Description | ARTISTS EXHIBITIONS PUBLICATIONS NEWS ABOUT CONTACT CURRENT EXHIBITION Araya Rasdjarmrearnsook Village and Elsewhere: The Treachery of the Moon 7 March |
Keywords | N/A |
WebSite | gimpelfils.com |
Host IP | 88.208.252.32 |
Location | United Kingdom |
Site | Rank |
US$633,483
Last updated: 2022-09-22 12:29:10
gimpelfils.com has Semrush global rank of 16,708,114. gimpelfils.com has an estimated worth of US$ 633,483, based on its estimated Ads revenue. gimpelfils.com receives approximately 73,095 unique visitors each day. Its web server is located in United Kingdom, with IP address 88.208.252.32. According to SiteAdvisor, gimpelfils.com is safe to visit. |
Purchase/Sale Value | US$633,483 |
Daily Ads Revenue | US$585 |
Monthly Ads Revenue | US$17,543 |
Yearly Ads Revenue | US$210,512 |
Daily Unique Visitors | 4,873 |
Note: All traffic and earnings values are estimates. |
Host | Type | TTL | Data |
gimpelfils.com. | A | 86400 | IP: 88.208.252.32 |
gimpelfils.com. | NS | 86400 | NS Record: ns1.phase8.net. |
gimpelfils.com. | NS | 86400 | NS Record: ns2.phase8.net. |
gimpelfils.com. | NS | 86400 | NS Record: ns0.phase8.net. |
gimpelfils.com. | MX | 86400 | MX Record: 30 gimpelfils-com.mail.protection.outlook.com. |
gimpelfils.com. | TXT | 86400 | TXT Record: MS=ms36000872 |
gimpelfils.com. | TXT | 86400 | TXT Record: v=spf1 include:spf.protection.outlook.com -all |
ARTISTS EXHIBITIONS PUBLICATIONS NEWS ABOUT CONTACT CURRENT EXHIBITION Araya Rasdjarmrearnsook Village and Elsewhere: The Treachery of the Moon 7 March – 27 April 2013 --> Work in Focus --> Gedi SIBONY Serving precisely the same purpose 2005 mixed media 49 x 38 x 8 in / 124.4 x 96.5 x 20.3 cm Gedi Sibony (1973 New York) is an artist who uses found materials to create his work. Frequently these materials are sticks, garbage bags, plywood and cardboard. The use of found materials goes back at least to the days of Synthetic Cubism (1912-1914), when fragments of newspaper or labels were affixed to the canvas as part of the composition. The tradition continued with Dada and was periodically revived, notably with Italy’s Arte Povera (Impoverished Art) in the 1960’s and a contemporaneous French movement, Supports/Surfaces. These movements challenged artistic practice in several aspects. They deconstructed the classic modes of art production (canvas, stretcher bars; cast bronze or |
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